Famous Historical Glass Engravers You Should Know
Glass engravers have been extremely skilled craftsmen and artists for thousands of years. The 1700s were specifically significant for their achievements and popularity.


For example, this lead glass goblet demonstrates how inscribing integrated layout trends like Chinese-style themes right into European glass. It also shows exactly how the ability of a good engraver can create imaginary deepness and aesthetic texture.

Dominik Biemann
In the very first quarter of the 19th century the typical refinery area of north Bohemia was the only location where ignorant mythological and allegorical scenes etched on glass were still in vogue. The cup pictured here was engraved by Dominik Biemann, that specialized in tiny pictures on glass and is considered one of the most important engravers of his time.

He was the son of a glassworker in Nové Svet and the bro of Franz Pohl, one more leading engraver of the period. His work is qualified by a play of light and shadows, which is especially evident on this cup showing the etching of stags in forest. He was also recognized for his work with porcelain. He died in 1857. The MAK Museum in Vienna is home to a large collection of his jobs.

August Bohm
A remarkable Nurnberg engraver of the late 17th century, Bohm dealt with special and a sense of calligraphy. He inscribed minute landscapes and engravings with strong formal scrollwork. His job is a forerunner to the neo-renaissance style that was to control Bohemian and various other European glass in the 1880s and beyond.

Bohm welcomed a sculptural sensation in both relief and intaglio engraving. He exhibited his proficiency of the latter in the carefully crosshatched chiaroscuro (tailing) impacts in this footed goblet and cut cover, which shows Alexander the Great at the Battle of Granicus River (334 BC) after a paint by Charles Le Brun. In spite of his considerable ability, he never attained the fame and lot of money he looked for. He died in scantiness. His spouse was Theresia Dittrich.

Carl Gunther
Regardless of his determined job, Carl Gunther was an easygoing male who enjoyed spending quality time with family and friends. He enjoyed his everyday routine of going to the Collinsville Elder Center to enjoy lunch with his friends, and these moments of sociability offered him with a much required respite from his demanding profession.

The 1830s saw something rather amazing take place to glass-- it came to be vivid. Engravers from Meistersdorf and Steinschonau developed highly coloured glass, a preference known as Biedermeier, to meet the demand of Europe's country-house classes.

The Flammarion engraving has ended up being a sign of this brand-new preference and has actually shown up in publications dedicated to scientific research in addition to those checking out necromancy. It is likewise located in countless gallery collections. It is believed to be the only enduring instance of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) began his occupation as a fauvist painter, however ended up being captivated with glassmaking in 1911 when going to the Viard bros' glassworks in Bar-sur-Seine. They offered him a bench and showed him enamelling and glass blowing, which he understood with supreme ability. He established his very own methods, utilizing gold streaks and manipulating the bubbles and various other natural imperfections of the product.

His technique was to treat the glass as a creature and he was just one of the very first 20th century glassworkers to use weight, mass, and the aesthetic result of natural flaws as visual elements in his jobs. The exhibit demonstrates the substantial effect that Marinot had on contemporary glass production. practical engraved gifts However, the Allied bombing of Troyes in 1944 destroyed his workshop and thousands of illustrations and paintings.

Edward Michel
In the very early 1800s Joshua presented a style that resembled the Venetian glass of the period. He made use of a method called diamond factor engraving, which entails scratching lines right into the surface of the glass with a tough metal apply.

He likewise developed the initial threading machine. This creation allowed the application of long, spirally injury trails of shade (called gilding) on the main body of the glass, a crucial function of the glass in the Venetian design.

The late 19th century brought new layout ideas to the table. Frederick Kny and William Fritsche both operated at Thomas Webb & Sons, a British company that concentrated on premium quality crystal glass and speciality coloured glass. Their work showed a preference for classic or mythological subjects.